For over half of the 150 years that the North Carolina State Fair has been in existence, the “Village of Yesteryear” has been one of the most popular exhibits to visit during the 11 day stretch! In short, “The Mission: “To encourage the development and perpetuation of heritage crafts by the display of our products and the demonstration of the skills required for their production. To share what we have learned and developed with all who may be interested.”
There are over 100 craftsmen and women displaying their goods and methods for creating what they sell and I will be there with plenty of silk and silk methods! Ecoprinted, hand painted and handmade! I will have a display board of the various silks available as well as my usual silk cocoons. I thought about live silkworms but that seemed problematic!
And here is artist hubby Stephen Filarsky with part of the set up going up from last year. The 11 days are long and tiring so being next to each other (He is the Sign Painter!) is great!
A State Fair is a Time honored tradition. To say there is something for everyone is an understatement. From 4-H displays and competitions to the midway rides to farm animals, carnival games, fair food, you name it; there is something for everyone to enjoy at their own level. Enjoy the sights, sounds and smells but be sure and come by the Village!
The Village of Yesteryear is a “working artists” village that features traditional heritage hand crafts. Demonstrations are performed using skills that, for many, have been passed down for generations. Our goal is to encourage the development and perpetuation of these skills.
The craftspeople do their best to create an exciting learning experience for the visiting public. They wear period costumes and continuously talk about and demonstrate their craft.
When I was an art major in college at East Carolina University in Greenville, NC, I lived in a small place on the Tar River near my family’ s farm. Driving home late one night after an evening class, I slowed at a little home to turn into our long dirt drive and noticed my neighbor in her garden. She was silhouetted against a bright moon and was obviously at work picking pole beans. The next day I asked my parents why our neighbor was in her garden at 10:30 pm. They said that she planted and harvested by the phases of the moon. I was intrigued as no one’s garden compared to hers! She grew more in an half acre of land than anyone could and her corn grew to Iowa heights! We talked several times about her planting methods and I’ve never forgotten her or her garden.
Fast forward to the here and now and as we approach a total eclipse near our area on August 21, I found my mind turning back to my long ago neighbor harvesting from her garden. And I started thinking.
Ecoprinting on paper is something I have done since my college days. Ecoprinting on silk has been the past 5 years. But as I said in an article I wrote for the spring edition of “No Serial Number” magazine, my immersion into ecoprinting involved far more than the finished design! As incredible as the designs are, it is the “hard to explain” part of being one with Nature in her moments of giving me her bounty of design and color. I like to forage for the leaves. I like long hikes in back woods, hearing the birds, absorbing the colors. The artist in me has been involved with Nature since my teen years of solitary cross country skiing through birch forests in the Catskills and even earlier with years of horse ownership and trail rides. They are peaceful places for me.
Collecting right now, as I practice it, has been more a case of going for a drive through the countryside or on a cool enough day (it IS summer here in the south!) to collect from my own farm. But I started to wonder, just recently, what IF I harvested and processed by the phases of the moon?
I have collected enough to know that the day, the time and the maturity of the leaves and plants I collect influence my final result. The same rose bush today might give me different colors than from a week ago. I totally get that.
But what would happen if I thought about both harvesting and processing based on the ancient principles of the phases of the moon? I think it was the Mayans who had a comprehensive calendar for their crops.
What if I tried my idea for several months? Studies moon charts, kept notes on the results, collected my usual way from the same trees or plants and did a test study? Tried to make sense of something that for our forefathers was as ingrained in them as breathing? I quote from a web page called “Planting by the Signs of the Moon”
Pliny the Elder did it, and so did Benjamin Franklin and your great grandma as well! They all planted gardens by the phases of the Moon, using a method practiced in rural communities for over two thousand years. It was so well established in the first century AD that it became part of the “natural history” that Pliny wrote about in his series of the same name. A method proven successful over that length of time deserves more than a label of folklore. It warrants a trial in our gardens too.
So I’m going to start this Monday during the total eclipse that will be seen at 92% in our area and 100% in places like South Carolina, Great Smokey Mountains, Oregon and elsewhere. The small window of opportunity for me will be around 2:00 pm (EST)
I am curious to see if my free range chickens will think it’s time to roost, or if the brief twilight will have an effect on my other animals (ponies, alpaca) But what I do know is that I’ll later watch the eclipse on NASA’s station (since I don’t have proper eyewear) and concentrate on the experience while I collect my pecan, rose and maple leaves to test.
In the end, it is not as much about results. I am not a scientist. It’s about the experience. My collecting is natural, my results sustainable and beautiful. I enjoy the time it takes to create each piece as much as the time I spend communing with Nature in her environment. I have loved ones that have passed that I often talk to as I gaze up at the moon or stars (funny how it’s not during the day) and somehow I find the idea of an art form I know they would have loved, being practiced during the moon tides to be kind of appealing. So for me, it would be an additional experience added to a process I already enjoy. And what’s not to like?
Sept 3 2018 UPDATE!
I never got around to posting results from the days of the eclipse. But this year, while ecoprinting the same leaves from the same plants (pecan, maple, rose, etc.) exactly one year later, there WAS a difference! Prints in 2017 were crsiper and clearer and expecially so with the pecan leaves. As soon as I find those photos (sorry in a rush here, I will share those. Below are a few as from that period as well! But I DO have better graphics-be patient 🙂
I found that at shows, people are fascinated by my ecoprinting. The infinite number of leaf prints, especially sharp, crisp ones, is the first area of fascination. The second is realizing that Mother Nature can actually release such beautiful colors onto silk. For many, it is the knowledge that the entire process is a sustainable and renewable art form. But universally, it is the image of collecting leaves on a beautiful day, scattering them onto silk and, in the end, creating a beautiful, unique surprise from Nature that has the most appeal!
So It did not take long for people to start asking if I would hold workshops in ecoprinting. I condensed my process down to a one day workshop that has made it easy for participants to leave with beautiful scarves created with their own hands!
Everyone is Equal!
What I love about the Ecoprint workshops is that Everyone is Equal in experience, creativity and artistic ability! With painting workshops, even for beginners, there is always that subtle competitiveness and insecurity. You can hear it in the conversations “Oh, I’m not really an artist,” or “Is this good?” or “I won’t trace, that’s cheating,” and the list goes on. In Ecoprinting, the participants all learn to initially work the same way with the same methods, but in the end, it is Mother Nature who holds the reins!
I’m including some images from a few recent workshops. I am fortunate in that my mini-farm contains all the plant material we need, right outside the doors of the 2 art studios! Although I work at my
smaller silk studio, and often outside on the deck, it is the larger “Painting” studio where I hold the Ecoprint workshops. I can fit up to 6 (my max number of students) comfortably with my spread out techniques and best of all, we are out of any wind….you can imagine the frustration of laying plants onto a silk scarf on a windy day :-).
All my workshops run from 10:00 am to 3:00 pm. There is plenty of time to relax after the bundled silk is in the pots. This is when we all eat our bagged lunches, tour the silk studio, engage with the ponies, chickens and assorted livestock on the mini-farm. On a gorgeous day, we sit under the trees and simply soak in the atmosphere while the silk processes in the steamers.
There is no doubt that the most exciting time is when we open the bundles of silk and see the results!
As you browse, you’ll see the faces say it best! Enjoy the closeups. Visit my workshop page to see what dates are available and contact me with any questions!
It’s always fun to find yourself in an International magazine! And especially so when that magazine is the up and coming “Green” magazine, “No Serial Number” an “an eclectic lifestyle magazine about Eco-conscious and Heritage Craft, Design and Fashion.” The purpose of the publication aligns itself beautifully with my ecoprinted collections and it is a joy to see this publication embrace all that is sustainable, renewable and beautiful!
So what about my article? Well, I had the best time writing it and pulling together my images. 6 whole pages! But for a sneak preview you can see a bit of it here!
Botanical or ecoprinting appeals to the simpler side of people-the surround sound of being in the woods, gathering plant matter and watching it come to as an art form is my passion. But many collectors simply enjoy the finished pieces. Whether for home or office, there is something peaceful and beautiful in knowing the ecoprinted art has given us a lasting piece of Nature’s designs and colors!
It was my pleasure to have “No Serial Number” echo my thoughts and feelings by publishing my work and photos!
People love color! And hand painting and dying fabric offers numerous ways to bring color to fiber. My heart is very much with my eco-printed silk art. However my many years of painting cannot help but be enthusiastic about my first love of hand painting.
When I began to work with fiber art-silk predominantly-it did not take me long to realize that there are as many ways to put color on silk as there are to put paint on canvas!
Block printing, screen printing, hand painted, hand embellished, detailed, abstract….all play a part at some point in what I create with silk.
Drawing and Painting
My tools are simple. Wood stretcher bars, eye screws, elastic and clips. For a hand painted design, I’ll first stretch a silk piece such as a scarf onto the frame. I’ll use a resist which to free hand draw my design onto the silk. The resist acts as a dam of sorts-containing the liquid dye within its boundaries so an artist can create a particular image. The end result can be anything from super realistic to whimsical to abstract.
People are intrigued with artist demonstrations and rightfully so. Nothing is more fascinating to watch than a painting of any kind, come to life as they watch.
Watching a work being created is an experience that cannot be duplicated simply by looking at a finished piece with no knowledge of how it came to be. I have noticed that people do understand painting. A canvas, paints, etc are in the experience of most people. But painting on silk is not. There is a huge difference between the cheap scarves created in masses with digitally imprinted designs vs an artist’s one of a kind handpainted scarf!
To add to the zen like feeling of slowly hand painting on silk and watching the dyes spread out onto the silk as if pulled by an unseen hand, is the ability to take it outdoors. I work with my ecoprinting outside all the time, spilling out onto my silk studio deck. And when those moments click into place, an artist truly has it all.
Who is not entranced by the mystical world of faeries? Whether your first introduction was Tinkerbell or you’re intrigued with the myriad of myths, legends and sightings of such fleeting “little people”, it is a fun world to enter!
Faeries ( or Fairies)were a favorite theme of my twin sister. As children, we imagined them in the ancient maples that populated our farm in upstate New York. We would take what figurines we had and play among the stone walls and foundations of the huge barns. We invented names, places, personalities, and made “faerie houses” from all manner of rocks and twigs.
So I have enjoyed re-inventing our world of not just faeries but the birds that also populated our country playground. Chickadees, sparrows, finches and tiny house wrens all flocked to our suet feeders in the winter when the snows made life challenging for all!
My eco printed silk seemed to call to me to peek closer into the world of nature. As a painter, it was just an additional step to begin creating my hand painted designs among the imprinted silk. The challenge was to keep a soft hand to the silk and yet have control over the silk dyes-not always an easy thing to do! So laying out my plant matter to create designs with open spaces for my birds and faeries, I began to paint. And I am still creating versions of them both. The possibilities are endless. Yes I could simply paint an entire Faerie world on a single canvas, populated with tiny birds, magical creatures and such. But the challenges of working with silk intrigued me. My hand painted figures dance with the movement of the silk-something that cannot be achieved on canvas.
The birds continue to flock to my feeders even in the more temperate climate of North Carolina. And while I paint and design, I see tiny faeries everywhere-dancing on the dust motes, peeking out from behind the roses leaves and perhaps playing tricks on the free range chickens. Join me in this magical world of no worries, playful fun and enjoy the art!
Faeries and their little bird friend on Cotton dipped in indigo!
Winter 2016 finally decided that January 2017 was a great time to begin, so for a week the weather forecasters gave dire predictions of a “southern” nor’easter. Sort of tantamount to a snow apocalypse. But the actuality was a lot of sleet and about 5-6″ of snow on our little mini-farm. However, the bitter cold for a North Carolina day (high of 22) changes things a bit and keeps everyone home and pretty much off the frozen roads!
This snowed in period has turned out to be a good time to give my thrift store find some TLC. I only invested $45.00 in this vintage White series 77 sewing machine. And frankly, it seemed like a bargain for the machine with all its attachments, instruction booklet and its all original beautiful cabinet! On a Facebook group, Eco-Dyeing Creating Learning that I am an administrator to, a member, Rudolph Ramseyer shared his research into vintage finds and noted that “An interesting bit of information is that White owned their own forests and sawmills, which supplied timber to their cabinetmaking workshops.”
It took 2 men to get this into the back of my little Honda Fit at the Thrift store. The back seats of the Fit fold back and up allowing room for upright items that normally could not go into a compact vehicle. Of course at home, it was my husband and I who unloaded it to my office/sewing room. That weight factor alone tells you a bit about the history of sewing machines in general as none were designed to be portable. My current Brother CSi6000 probably weighs…2 pounds? And in spite of all the fancy stitches built into the plastic Chinese made machine (most of which I do not use), it is sobering to realize that a machine that could go both forward and then, with the flick of a lever, go backwards without missing a stitch, was a huge deal 60 years ago!
The box of attachments is priceless in that they are all there. An immense buttonholer must have been a godsend. And there are attachments (some I have no clue about) and instructions for hemming, stitching lace, a combination tucker, edgestitcher and top braider, embroidery, quilting, a 5 stitch ruffler, one for gathering, one for single stitch pleating, shirring, piping and a host of other techniques, some of which I have never used!
The sewing thread sits on the middle spool holder. The one towards the wheel is for use with the automatic bobbin winder. Stitch length adjustments on the right and tension adjustments on the left. It is a pulley system, not a belt system and, of fascination to me, run with a knee operated lever (seen lower right top photo). It is also interesting that these were called “rotary electric sewing machines” and were driven by the rubber wheel contacting the motor directly in back.
So now cleaned and oiled, I have played with sewing on it. There is something oddly comforting in sitting down to a machine that was once the pride and joy
of a household. Was it a gift from a caring husband ? Or purchased on a new “lay-a-way” plan? Did the woman marvel at the amazing things she could now do? Was she able to add buttonholes or create beautiful ruffles she had never before been successful at sewing?
Sometimes it is the little things we take for granted that can give the most enjoyment. This frigid, snowy day for instance, makes me grateful for simple pleasures: indoor heating, hot coffee, power still on, outside animals fed and comfy and, quite frankly, the Internet. I feel no guilt today indulging my inquisitive passion of researching little things such as a vintage sewing machine. And today, it’s a good place to be 🙂
Truly-there is nothing like the look and feel of silk! Soft and luxurious or earthy and light, nothing compares to this all natural, sustainable fabric against the skin.
And nothing speaks to the soul as eloquently as wearing Mother Nature’s colors imprinted naturally onto silk fabrics. For me, wearing creations that come from Nature and to experience both the natural colors the leaves give up during my process or the results of natural dye additions is the journey I enjoy most!
Let the look of my handcrafted garments tell their own story!
Somewhere back in Time, our ancestors figured out a number of amazing things. In the course of survival, it is understandable that clothes needed to be made and the progression from animal skins to fibers is a fascinating history. But then, someone decided that colors would enhance the fibers and a whole new journey began 🙂
I don’t think most people even think about color except when looking at clothing on racks in a store. But recently I not only experimented myself but watched a friend Dede Styles, reach back into her Appalachian roots and demonstrate at the NC Mountain State Fair.
She used both iron and brass pots heated with the convenient propane heater. On one day she could not attend, a young couple took over with butternuts.
Her results were stunning reminders that all that is new is old 🙂 This is especially true when today’s thinking is “go natural” and words like “sustainable, renewable and recyclable” are bandied about as though it was a new concept.
My own efforts are similar yet different. I am all about dyeing silk rather than wool. A huge part of the enjoyment is collecting the plant matter to use in a dye pot. My husband happily joins me in this search. Who doesn’t want to wander down back roads and through one’s own pastures? I used my 1940’s porcelain/enamel pot on a hot plate since an iron pot is not yet in my studio!
The results are beautiful and indeed, sustainable, renewable and totally organic. And honestly, our ancestors had a good thing going, I think 🙂
Roses in history, in quotes, in art and poetry. Perhaps no other flower has been written, photographed, cultured and painted in all of history.
“What a lovely thing a rose is!” -Arthur Conan Doyle (The Naval Treaty)
“I feel as if I had opened a book and found roses of yesterday sweet and fragrant, between its leaves.” -L.M. Montgomery (Anne of the Island)
“What’s in a name? That which we call a rose by any other name would smell as sweet.” William Shakespeare
As artists, my husband and I regroup by exploring back roads, both paved and unpaved. In our many travels we began to bring not just camera and sketchpads, but shovels, buckets, water and pruning shears. And we began rescuing flowers and taking cuttings from abandoned homesteads.
Sometimes we only discovered totally overgrown homes hidden off dirt roads by noticing a burst of pink, red or white flowers through the growth. On closer inspection we would discover huge rose bushes, or old varieties of Sweet William or daffodils, continuing to grow and bloom with happy abandon, unaware that no one was on the crumbling front porches enjoying their beauty and fragrance any longer. So we began to take cuttings, dig a few bulbs or flowers in hopes of transplanting them to our mini-farm for them to be seen and enjoyed.
Before long we had our own bushes of Seven Sisters, Old Dawn (climbing) Red Blaze, wild white roses, Lady Banks, Old Glory, tiny leaved Scottish Roses…..and some nameless ones. My heirloom rose garden includes a red variety of Seven Sisters that my mother collected from her old family homestead (long abandoned) in Mississippi while researching her roots.
As a painting artist, I have painted and photographed my share of beautiful roses over the years. But no art form has excited my creativity as much as collecting and imprinting designs and colors from those roses I have rescued!
In the world of Eco or Botanical printing on fiber, more often than not it is the leaves that leave the best impression, not the actual rose. And it seems fitting as no one immortalizes the rose leaf in poetry and quotes. Even the thorn has numerous symbolic mentions…but the leaves? Yet without the leaves there would be no rose! I don’t think botanists will ever cultivate a bronze, green or copper colored rose. But in my work with the rose leaves on Silk, I regularly re-create these colors!
So much, I have learned, depends on what day, what month and what rose leaves I use…from the tiniest to the largest. The colors vary, the shapes vary…but the sentiment stays the same for the leaves as it does the beautiful petals. A wondrous surprise every time I work with my rose leaves and silk.
I like to think that the women or men who once planted and loved these roses, would be pleased to see their simple pleasures re-created as beautiful imprints on silk. And that someone cared enough to stop by their once active homes, lost to time and encroaching developments and rescued their roses and flowers to treasure as much as they once did.