Holiday Open House at our STUDIOS!

2 Artists Studios!
Our chickens sometimes claim the studio front porch!
Silk work by Theresa

Saturday Dec 16 from 11-3! Come see the art studios of 2 long time working artists and see the variety of, dare we say, amazing art! A perfect place to pick up those last minute hand crafted gifts ūüôā

Meet our ponies, Helen and Shadow, feed a peppermint to Bella, our alpaca…yep-the chickens will visit you as well as our dogs!

Enjoy some light refreshments in the large studio (our painting one) and do some shopping!

Kids are fine, leave your pets at home though please..rain or shine.

Located at 2109 Old Mill Farm RD., Franklinton, NC 27525. Email Theresa@thesilkthread.com with questions.

 

Plenty of portraits to see by Theresa
Steve’s watercolor table

 

 

 

 

 

 

Hand lettering on Glass
Working at the easel

 

Whimsical Women and Holiday shows!

It’s that very busy Holiday time of the year with all of us realizing that the months of October-December seem to fly!
I popped from the NC State Fair where we braved 14 hour days for 11 days to the SAFF (Southeastern Animal Fiber Fair) where we went from 75 degrees one day to 38 and raining over the course of a 3 day weekend!

NCSF booth
Theresa painting on silk at NCSF
Steve manning the SAFF booth

Now here we are into November and I have a one day show Saturday Nov¬† 18 . Hoping we don’t need the rain date!¬† Coming up after that is a packed weekend with 2 shows! Dec 2 and Dec 3!

The Wake Forest Holiday Artisans Market and the Boylan Heights Artwalk!


Saturday, December 2 at 9 AM – 3 PM
Renaissance Centre
405 S Brooks St, Wake Forest, N C 27587
ArtWalk 2017

 

 

 

 

 

 

 

 

 

 

 

 

That moves us into Dec!

A Crafty Christmas!
December 8 ‚Äď December 9
Dec 8 at 12 PM to Dec 9 at 6 PM
 
Hickory Metro Convention and Visitors Bureau
1960 13th Ave Dr SE, Hickory, North Carolina 28602
A Crafty Christmas Dec 8 & 9 in Hickory NC

 

 

 

 

 

And finally on Saturday Dec 16 we have our annual HOLIDAY OPEN STUDIO! Both  studios open from 11-3 or by appointment!

Inside silk studio
The painting studio

So come see us at any of the next 5 locations!-Theresa

Visit me at The Village of Yesteryear!

For over half of the 150 years that the North Carolina State Fair has been¬† in existence, the “Village of Yesteryear” has been one of the most popular exhibits to visit during the 11 day stretch! In short, “The Mission:¬† “To encourage the development and perpetuation of heritage crafts by the display of our products and the demonstration of the skills required for their production. To share what we have learned and developed with all who may be interested.”

 

Booth at the Village

There are over 100 craftsmen and women displaying their goods and methods for creating what they sell and I will be there with plenty of silk and silk methods! Ecoprinted, hand painted and handmade!  I will have a display board of the various silks available as well as my usual silk cocoons. I thought about live silkworms but that seemed problematic!

Setting up the booths!

And here is artist hubby Stephen Filarsky with part of the set up going up from last year. The 11 days are long and tiring so being next to each other (He is the Sign Painter!) is great!

A State Fair is a Time honored tradition.  To say there is something for everyone is an understatement. From  4-H displays and competitions to the midway rides to farm animals, carnival games,  fair food,  you name it; there is something for everyone to enjoy at their own level. Enjoy the sights, sounds and smells but be sure and come by the Village!

The Village of Yesteryear is a “working artists” village that features traditional heritage hand crafts. Demonstrations are performed using skills that, for many, have been passed down for generations. Our goal is to encourage the development and perpetuation of these skills.

The craftspeople do their best to create an exciting learning experience for the visiting public. They wear period costumes and continuously talk about and demonstrate their craft.

See you at the Fair! Oct 12-22, 2017!

Harvesting and Ecoprinting by Moon Cycles

When I was an art major in college at East Carolina University in Greenville, NC, I lived in a small place on the Tar River near my family’ s farm. Driving home late one night after an evening class, I slowed at a little home to turn into our long dirt drive and noticed my neighbor in her garden.¬† She was silhouetted against a bright moon and was obviously at work picking pole beans. The next day I asked my parents why our neighbor was in her garden at 10:30 pm.¬† They said that she planted and harvested by the phases of the moon.¬† I was intrigued as no one’s garden compared to hers! She grew more in an half acre of land than anyone could and her corn grew to Iowa heights! We talked several times about her planting methods and I’ve never forgotten her or her garden.

Fast forward to the here and now and as we approach a total eclipse near our area on August 21,  I found my mind turning  back to my long ago neighbor harvesting from her garden. And I started thinking.

Ecoprinting on paper is something I have done since my college days. Ecoprinting on silk has been the past 5 years. But as I said in an article I wrote for the spring edition of “No Serial Number” magazine, my immersion into ecoprinting involved far more than the finished design! As incredible as the designs are, it is the “hard to explain” part of being one with Nature in her moments of giving me her bounty of design and color. I like to forage for the leaves. I like long hikes in back woods, hearing the birds, absorbing the colors. The artist in me has been involved with Nature since my teen years of solitary cross country skiing through birch forests in the Catskills and even earlier with years of horse ownership and trail rides. They are peaceful places for me.

Theresa Collecting plants

Collecting right now, as I practice it, has been more a case of going for a drive through the countryside or on a cool enough day (it IS summer here in the south!) to collect from my own farm.  But I started to wonder, just recently, what IF I harvested and processed by the phases of the moon?

I have collected enough to know that the day, the time and the maturity of the leaves and plants I collect influence my final result. The same rose bush today might give me different colors than from a week ago. I totally get that.

But what would happen if I thought about both harvesting and processing based on the ancient principles of the phases of the moon? I think it was the Mayans who had a comprehensive calendar for their crops.

 

 

What if I tried my idea for several months? Studies moon charts, kept notes on the results, collected my usual way from the same trees or plants and did a test study?¬† Tried to make sense of something that for our forefathers was as ingrained in them as breathing? I quote from a web page called “Planting by the Signs of the Moon”

Pliny the Elder did it, and so did Benjamin Franklin and your great grandma as well! They all planted gardens by the phases of the Moon, using a method practiced in rural communities for over two thousand years. It was so well established in the first century AD that it became part of the ‚Äúnatural history‚ÄĚ that Pliny wrote about in his series of the same name. A method proven successful over that length of time deserves more than a label of folklore. It warrants a trial in our gardens too.

So I’m going to start this Monday during the total eclipse that will be seen at 92% in our area and 100% in places like South Carolina, Great Smokey Mountains, Oregon and elsewhere.¬† The small window of opportunity for me will be around 2:00 pm (EST)

 

I am curious to see if my free range chickens will think it’s time to roost, or if the brief twilight will have an effect on my other animals (ponies, alpaca) But what I do know is that I’ll later watch the eclipse on NASA’s station (since I don’t have proper eyewear) and concentrate on the experience while I collect my pecan, rose and maple leaves to test.

In the end, it is not as much about results. I am not a scientist. It’s about the experience.¬† My collecting is natural, my results sustainable and beautiful.¬† I¬† enjoy the time it takes to create each piece as much as the time I spend communing with Nature in her environment.¬† I have loved ones that have passed that I often talk to as I gaze up at the moon or stars (funny how it’s not during the day) and somehow I find the idea of an art form I know they would have loved, being practiced during the moon tides to be kind of appealing. So for me, it would be an additional experience added to a process I already enjoy. And what’s not to like?

Eco-print Workshops!

Eco-print Workshops with The Silk Thread

I found that at shows, people are fascinated by my ecoprinting. The infinite number of  leaf prints, especially sharp, crisp ones,  is the first area of fascination. The second is realizing  that Mother Nature can actually release such beautiful colors onto silk.  For many,  it is the knowledge that the entire process is a sustainable and renewable art form.  But universally, it is the image of collecting  leaves on a beautiful day, scattering them onto silk and, in the end, creating a beautiful, unique surprise from Nature that has the most appeal!

Theresa Collecting plants
Collecting leaves

 

 

 

 

 

 

 

 

 

 

 

So It did not take long for people to start asking if I would hold workshops in ecoprinting.   I condensed my process down to a one day workshop that  has made it easy for participants to leave with beautiful scarves created with their own hands!

 

Ecoprinting workshop

Everyone is Equal!

What I love about the Ecoprint workshops is that Everyone is Equal in experience, creativity¬† and artistic ability! ¬† With painting workshops, even for beginners,¬† there is always that subtle competitiveness and insecurity. You can hear it in the conversations “Oh, I’m not really an artist,” or “Is this good?” or “I won’t trace, that’s cheating,” and the list goes on.¬† In Ecoprinting, the participants all learn to initially work the same way with the same methods, but in the end, it is Mother Nature who holds the reins!

I’m including some images from a few recent workshops. I am fortunate in that my mini-farm contains all the plant material we need, right outside the doors of the 2 art studios!¬† Although I work at my

The Silk Studio viewed from the garden

smaller silk studio, and often outside on the deck, it is the larger “Painting” studio where I hold the Ecoprint workshops. I can fit up to 6 (my max number of students) comfortably with my spread out techniques and best of all, we are out of any wind….you can imagine the frustration of laying plants onto a silk scarf on a windy day :-).

All  my workshops run from 10:00 am to 3:00 pm. There is plenty of time to relax after the bundled silk is in the pots. This is when we all eat our bagged lunches, tour the silk studio, engage with the ponies, chickens  and assorted livestock on the mini-farm. On a gorgeous day, we sit under the trees and simply soak in the atmosphere while the silk processes in the steamers.

working in the Art studio

There is no doubt that the most exciting time is when we open the bundles of silk and see the results!

opening bundles

As you browse, you’ll see the faces say it best! Enjoy the closeups. Visit my workshop page to see what dates are available and contact me with any questions!

Until next time!-Theresa

Posing with their creations!
Happy with their results!
A delighted participant

 

close up results

 

 

 

 

 

 

 

First batch drying on the line
First time results!
First time results!
First time results!
Laying out the plants

The “No Serial Number” magazine story

It’s always fun to find yourself in an International magazine! And especially so when that magazine is the up and coming “Green” magazine, “No Serial Number” an “an eclectic lifestyle magazine about Eco-conscious and Heritage Craft, Design and Fashion.”¬†¬†¬† The purpose of the publication aligns itself beautifully with my ecoprinted collections and it is a joy to see this publication embrace all that is sustainable, renewable and beautiful!

Cover Photo No Serial Number

 

So what about my article? Well, I had the best time writing it and pulling together my images. 6 whole pages! But for a sneak preview  you can see a bit of it here!

Page 1

 

 

 

 

 

 

Botanical or ecoprinting appeals to the simpler side of people-the surround sound of being in the woods, gathering plant matter and watching it come to as an art form is my passion. But many collectors simply enjoy the finished pieces. Whether for home or office, there is something peaceful and beautiful in knowing the ecoprinted art has given us a lasting piece of Nature’s designs and colors!

It was my pleasure to have “No Serial Number” echo my thoughts and feelings by publishing my work and photos!

page 4

Hand painting Silk

People love color! And hand painting and dying fabric offers numerous ways to bring color to fiber. My heart is very much with my eco-printed silk art. However my many years of painting cannot help but be enthusiastic about my first love of hand painting.

When I began to work with fiber art-silk predominantly-it did not take me long to realize that there are as many ways to put color on silk as there are to put paint on canvas!

Hand painted Silk

Block printing, screen printing, hand painted, hand embellished, detailed, abstract….all play a part at some point in what I create with silk.

Drawing and Painting

My tools are simple. Wood stretcher bars, eye screws, elastic and clips.¬† For a hand painted design, I’ll first stretch a silk piece such as a scarf onto the frame. I’ll use a resist which to free hand draw my design onto the silk. The resist acts as a dam of sorts-containing the liquid dye within its boundaries so an artist can create a particular image.¬† The end result can be anything from super realistic to whimsical to abstract.

Applying the dye
Cherry Blossoms

 

 

 

 

 

 

 

 

 

 

 

Painting on Silk

People are intrigued with artist  demonstrations and  rightfully so. Nothing is more fascinating to watch than a painting of any kind, come to life as they watch.

Watching a work being created is an experience that cannot be duplicated simply by looking at a finished piece with no knowledge of how it came to be. I have noticed that people do understand painting. A canvas, paints, etc are in the experience of most people. But painting on silk is not. There is a huge difference between the cheap scarves created in masses with digitally imprinted designs vs an artist’s¬† one of a kind handpainted scarf!

 

Peacocks on Silk
Red Poppies
Hand painted horses on silk

To add to the zen like feeling of slowly hand painting on silk and watching the dyes spread out onto the silk as if pulled by an unseen hand, is the ability to take it outdoors. I work with my ecoprinting outside all the time, spilling out onto my silk studio deck. And when those moments click into place, an artist truly has it all.

The Silk Thread Studio from garden
Working Summer Day at Silk studio

Magical world of Faeries on ecoprint

Who is not entranced by the mystical world of faeries? Whether your first introduction was Tinkerbell or you’re¬† intrigued with the myriad of myths, legends and sightings of such fleeting “little people”, it is a fun world to enter!

Faeries ( or¬†Fairies)were a favorite theme of my twin sister.¬† As children, we imagined them in the ancient maples that populated our farm in upstate New York. We would take what figurines we had and play among the stone walls and foundations of the huge barns. We invented names, places, personalities, and made “faerie houses” from all manner of rocks and twigs.

 

Detail of a woodland faerie

So I have enjoyed re-inventing our world of not just faeries but the birds that also populated our country playground. Chickadees, sparrows, finches and tiny house wrens all flocked to our suet feeders in the winter when the snows made life challenging for all!

bird on rose branch

My eco printed silk seemed to call to me to peek closer into the world of nature. As a painter, it was just an additional step to begin creating my hand painted designs among the imprinted silk. The challenge was to keep a soft hand to the silk and yet have control over the silk dyes-not always an easy thing to do! So laying out my plant matter to create designs with open spaces for my birds and faeries, I began to paint. And I am still creating versions of them both.  The possibilities are endless. Yes I could simply paint an entire Faerie world on a single canvas, populated with tiny birds, magical creatures and such. But the challenges of working with silk intrigued me. My hand painted figures dance with the movement of the silk-something that cannot be achieved on canvas.

Four Faeries in the roses

The birds continue to flock to my feeders even in the more temperate climate of North Carolina. And while I paint and design, I see tiny faeries everywhere-dancing on the dust motes, peeking out from behind the roses leaves and perhaps playing tricks on the free range chickens. Join me in this magical world of no worries, playful fun and enjoy the art!

 

Faeries and their little bird friend on Cotton dipped in indigo!

 

Re-loving a vintage White sewing machine

Winter 2016 finally decided that January 2017 was a great time to begin, so for a week the weather forecasters gave dire predictions of a “southern” nor’easter. Sort of tantamount to a snow apocalypse. But the actuality was a lot of sleet and about 5-6″ of snow on our little mini-farm. However, the bitter cold for a North Carolina day (high of 22) changes things a bit and keeps everyone home and pretty much off the frozen roads!

View off studio steps
View off studio steps

This snowed in period has turned out to be a good time to give my thrift store find some TLC. I only invested $45.00 in this vintage White series 77 sewing machine. And frankly, it seemed like a bargain for the machine with all its attachments, instruction booklet and its all original beautiful cabinet! On a Facebook group, Eco-Dyeing Creating Learning that I am an administrator to, a member, Rudolph Ramseyer shared his research into vintage finds and noted that “An interesting bit of information is that White owned their own forests and sawmills, which supplied timber to their cabinetmaking workshops.”

Partial view of machine and cabinet
Partial view of machine and cabinet
A look at instruction book
A look at instruction book

 

It took 2 men to get this into the back of my little Honda Fit at the Thrift store. The back seats of the Fit fold back and up allowing room for upright items that normally could not go into a compact vehicle. Of course at home, it was my husband and I who unloaded it to my office/sewing room. That weight factor alone tells you a bit about the history of sewing machines in general as none were designed to be portable. My current Brother CSi6000 probably weighs…2 pounds? And in spite of all the fancy stitches built into the plastic Chinese made machine (most of which I do not use), it is sobering to realize that a machine that could go both forward and then, with the flick of a lever, go backwards without missing a stitch, was a huge deal 60 years ago!

View of attachments
View of attachments

The box of attachments is priceless in that they are all there. An immense buttonholer must have been a godsend. And there are attachments (some I have no clue about) and instructions for hemming, stitching lace, a combination tucker, edgestitcher and top braider, embroidery, quilting, a 5 stitch ruffler, one for gathering, one for single stitch pleating, shirring, piping and a host of other techniques, some of which I have never used!

Close up of White Series 77 sewing machine
Close up of White Series 77 sewing machine

The sewing thread sits on the middle spool holder. The one towards the wheel is for use with the automatic bobbin winder. Stitch length adjustments on the right and tension adjustments on the left. It is a pulley system, not a belt system and, of fascination to me, run with a knee operated lever (seen lower right top photo). It is also interesting that these were called “rotary electric sewing machines” and were driven by the rubber wheel contacting the motor directly in back.

So now cleaned and oiled, I have played with sewing on it. There is something oddly comforting in sitting down to a machine that was once the pride and joy

sewing
The sewer

of a household. Was it a¬† gift from a caring husband ? Or purchased on a new “lay-a-way” plan?¬† Did the woman marvel at the amazing things she could now do? Was she able to add buttonholes or¬† create beautiful ruffles she had never before been successful at sewing?

Sometimes it is the little things we take for granted that can give the most enjoyment. This frigid, snowy day for instance, makes me grateful for simple pleasures: indoor heating, hot coffee, power still on, outside animals fed and comfy and, quite frankly, the Internet. I feel no guilt today indulging my inquisitive passion of researching little things such as a vintage sewing machine. And today, it’s a good place to be ūüôā

Wearing Nature’s Colors

There's nothing like silk!
There’s nothing like silk!

Truly-there is nothing like the look and feel of silk! Soft and luxurious or earthy and light, nothing compares to this all natural, sustainable fabric against the skin.

And nothing speaks to the soul as eloquently as wearing Mother Nature’s colors imprinted naturally onto silk fabrics. For me,¬† wearing creations that come from Nature and to experience both the natural colors the leaves give up during my process or the results of natural dye additions is the journey I enjoy most!

The wide variety of natural colors from the leaves on silk
The wide variety of natural colors from the leaves on silk

Let the look of my handcrafted garments tell their own story!

Custom made silk noil tunic
Custom made silk noil tunic
Handcrafted silk noil dress imprinted with leaves.
Handcrafted silk noil dress imprinted with leaves.

 

 

 

 

 

 

 

 

 

Handcrafted poncho dyed with cochineal
Handcrafted poncho dyed with cochineal
Handcrafted poncho of silk noil
Handcrafted poncho of silk noil

 

 

 

 

 

 

 

 

A stylish fit
A stylish fit
Ecoprinted long silk scarf.
Ecoprinted long silk scarf.

 

Indigo dyed Silk dress
Indigo dyed Silk dress