Every so often I enlist hubby’s help and get him to record something I am doing. Recently, after several requests, I made a series of short YouTube clips on “How to Fold Large Fabrics when Ecoprinting” But wait-there is more! It also describes the process while using a dye blanket 🙂
IIt is all in my very recent newsletter and the home page here has the sign up box. But for those not yet on my list, I will see if I can replicate some of it here in this blog!
So why would you want to work large? For me it’s all about garment making.
In the 7 short videos I show how to use a dye blanket to create the borders. It’s not a tutorial about dyes, mordants, etc-you can use whatever you are used to-whether it is natural dyes or synthetic dyes. It’s about folding and I show you two methods.
I will warn you now that I am in competition with the rooster below-I don’t know why he chose that time to crow (actually there are 2 of them crowing) But hey, it is an unedited tutorial complete with bloopers-and there are a lot!
As often as I look at YouTube, to actually put something up there is a lot more time consuming than I thought! That is one reason nothing is edited. I have noticed that video #1 is the most viewed which seems odd as the rest continue the process! If you want to see how it turns out you have to get to #7!
A few more large pieces
At the end of each clip is a link to the next one. Keep looking as YouTube pops up additional videos and they may not seem in order!
Link yo YouTube: https://www.youtube.com/watch?v=SMuNDkCc46I&t=5s
Enjoy! Give me a thumbs up and like them and it motivates me to get another done!-Theresa
My recent newsletter!
Consistency and Ecoprinting
Let’s tackle the number One question I get in messages and emails pertaining to Ecoprinting. And that is Consistency!
“I am so unhappy with my current results, what am I doing wrong?”
“I simply cannot get it to be consist! It is very frustrating!”
“Sometimes my prints are beautiful and sometimes they are bad. How do I change that?”
I am fortunate that my world of art is pretty all-encompassing-from making a living as a fine art portrait artist (working in all mediums) to leatherwork , woodcarving and the fiber arts. In all my years as a professional artist only ONE art form, for me, has tested my need to control the medium and that is Ecoprinting or Botanical printing! Now I am content to simply understand some of its idiosyncrasies!
Let’s face it, with most mediums, from start to finish, the artist is in control and pretty much knows what is going to happen. The artist knows the packaged paints to choose and apply, the best wood to carve, the right clay to make his pottery, the steps to make the jewelry, the colors warped into the loom or stitch length in the sewing machine, etc. Predictable, comfortable and with expected results!
Then we come to Ecoprinting. Wanting to control the outcome of using leaves to enrich cloth or paper surfaces is the main reason for dissatisfaction among so many Ecoprinters. They seem to have lost sight of why this art form appealed to them in the first place. The sheer excitement and awe of unrolling a bundle every single time to discover a surprise is part of its huge appeal!
But after a while, something like dissatisfaction can happen. Maybe it’s that innate human nature to feel someone else’s results are better than yours! (I see this a LOT in teaching painting classes) And it’s hard not to browse Facebook and Instagram and see results that make you feel your work is inadequate. Suddenly, no longer content with serendipitous results, you want to master and control this Art form of Botanical printing. And usually those first questions of doubt are the results: “Why are my leaves not giving me the same results as before?” Or “How come my maple leaves do not print like So and so’s?”
I am not a scientist. But thanks, I believe, to years as a painting artist and observing Nature in all her seasons, and my years of hiking and horseback riding on trails, there is an intuitive understanding of what is happening within my particular environment! So let’s step back to the basics of understanding what influences Nature’s green growth.
It’s hard not to sound like an encyclopedia when mentioning facts but if you do a search for trees you will discover there are roughly four primary factors that affect plant growth: light, water, temperature and nutrients. These four elements affect the plant’s growth hormones, making the plant grow more quickly or more slowly. Changing any of the four can cause the plant stress which changes growth. Now those are the basic influences! One of my blogs from my website talked about Planting and Harvesting by the Signs of the Moon.
Think about those basic four elements. I really had to dig back to my high school biology to remember the wording but in the end, I love Google haha.
For me, the crucial element is Light: “Plants need sunlight for a process that we call photosynthesis. … Plants contain a molecule called chlorophyll, and the chlorophyll is what absorbs the sunlight. The chlorophyll absorbs red and blue light, and they reflect green light. In addition to giving plants their green color, chlorophyll is vital for photosynthesis as it helps to channel the energy of sunlight into chemical energy. With photosynthesis, chlorophyll absorbs energy and then transforms water and carbon dioxide into oxygen and carbohydrates. The process of photosynthesis converts solar energy into a usable form for plants.”
That is why the same genus of tree in Alaska will print differently than its counterpart in Florida- Sunlight. Or weeks of rain in your area limit the sunlight for your favorite trees and bushes. Summer drought and weird cold patterns influence the nutrients and growth pattern. Even the time of day influences your results. Watch which plants furl and unfurl their leaves during certain times of the day.
The interesting thing about all these “scientific” explanations is that I know they are true based not on laboratory experiments but plain common sense and field work.
I just returned from a Fiber Show in Michigan and those factors of light, water, temperature and nutrients are among the important factors related to the quality of wool from the sheep farmers. Everything that grows in fact, need those elements!
So all this begins to make sense when you wonder why those leaves from a particular tree are suddenly “not working”. Apply those four elements. What is happening to stress or change the growths process of the leaves this month that did so well before? I had stunning results with the leaves of my pecan tree one year and the following year, not so great. I get beautiful green results from plants that I once deemed “not so great” such as fruit tree leaves and wisteria by not using the leaves during the height of fruiting season.
But wait, you say! What about those fall leaves? They are dead and those four elements do not affect them anymore right? Well…. imagine my surprise in a recent workshop where I brought my Fall 2018 maple leaves for students to re-hydrate for use and watched the normally strong red color print almost black! The tannins had “aged.” I keep the iron strength in my gallon containers the same and experiments since have proved me right so I learned to mix weaker solutions for old leaves 😊
So I did not want to turn blog into a science paper. I love the spontaneity of ecoprinting and do not want to turn it into a science. No matter how many formulas you are given, you are still reliant on the leaves and they cannot be controlled like tubes of paint. I tell my students to take notes however to help them understand what is happening. While taking photos of the leaves you used when they have been laid out on the fabric or paper (recommended!) Note the time, the weather and even the outside temperature (if you work outside like I do) and whether the leaves are fresh or dry. If you make a note of where the leaves came from that can be a huge advantage. And if you want to dig deeper—check out a Farmer’s Almanac!
I teach a lot of workshops and I remind my students “Your results today are based on what Mother Nature has chosen to give you! Be happy with her gifts!”
Felting has become a popular medium with fiber artists! Depending on your personal knowledge of felt in general, most people think of those multi-colored felt pads you see in all the craft stores when someone mentions felt. According to Wikipedia ” Felt is a textile material that is produced by matting, condensing and pressing fibers together. Felt can be made of natural fibers such as wool or animal fur, or from synthetic fibers such as petroleum-based acrylic or acrylonitrile or wood pulp-based rayon.” It is an ancient craft and felt is used in art, fashion and industrial applications.
My alpacas Bella, Virginia and Kicho, supply me with much of the animal hair that I use for my kind of felting. But I supplement much of their black and white hair with the beautiful shades of wool from my friends with sheep. Fiber shows supply the additional wools dyed in a variety of beautiful colors.
After the shearing and the summer heat, 2 of the girls enjoy a spray bath!
There are a number of types and techniques of felting (nuno, knit, wet, sculpture, hats, etc.) and since a complete “how to” is beyond the scope of this newsletter, simply google “felting” and that will bring up a huge array of sites for you to further research! I do “Needle Felting” which basically is the only felting type that does not require wetting the fibers beforehand. Needle felting simply hooks onto fibers with specially placed barbs (felting needle) and forces fibers to tangled as you punch through the fabric!
Fiber shows and craft stores carry the basic tools for Needle felting. Crucial of course are the needles.They come in various sizes-either single or as groups. And a surface on which to place your fabric to begin the felting (poking) process. The image shows several gathered from various suppliers. All I use is in the image. Both the “brush” surface and the “Styrofoam” offer the necessary cushioning effect plus allow you to easily carry your lightweight supplies anywhere. Most needle felting done as a painting or scene use a sheet of wool as the “canvas” on which to begin an image. Below is a first result from a student of mine who first painted this very same scene on canvas before using the wool as her canvas!
Since I am a painter, my needle felting takes on the feel of painting. I mainly use it to embellish my ecoprinted silk noil (also known as raw silk)
I use raw silk for many of my garments and wall hangings as it feels very different from what we think of as silk…it has a pile (noil) is much heavier and is created with much shorter strands of silk. After ecoprinting a piece of yardage I look at it awhile and can envision where my embellishments such as birds, flowers or my Woodland Fairies might go to enhance my vision. Raw silk takes the use of the needle far better than regular silk.
One of my earliest needle felted pieces was a felted bird on a silk handkerchief. I had to be careful of over stabbing the silk as it can damage the area in which you work 🙂
My original photos do not do it justice but I learned that if I wanted to use my Habatoi silk stash I had to switch from felting on Habatoi silk to hand painting on it! SO you will see my raw silk wall hangings embellished with needle felting and my charmeuse or Habatoi silk embellished with hand painting.
My Woodland Faeries series are all hand painted onto the smoother silks! But below is a closeup of one of the birds being felted onto the raw silk.Most are created on large pieces ranging from 20-30″ wide by 36-48″ long!
I collect driftwood from oceans, lakes or rivers and have quite a stash as eventual hangers. I love the feel and texture of the old wood. In many of the hangings I have added backings ranging from cotton fabric to raw silk to burlap. The figures that I use to embellish are my own. You can use a pencil to lightly draw in your bird or flower or whatever. A lightbox can make it easier to lay your fabric down (if it is light colored) on top and trace out a darkly outlined image.
It takes practice but if you are familiar with shading techniques in painting, it is essentially the same! Use dark to outline and use lighter and lighter pieces of your wool or hair to show tonal changes. I predominantly use the 3 needle and switch to single use with outlining. The point is to make sure they are thoroughly adhered.
My “Bluebirds” (sold) attached to a burlap backing.
The fun to me is to “attach” whatever images I am using to the previously ecoprinted piece to make it look as though it was planned in advance lol. The ecoprinted piece comes first. I like to make my birds bold or hide them among the foliage and it all depends on how the original ecoprinted raw silk design looks. And wall hangings are not the only decorative piece that can be needle felted on!
Daises felted handbag
Needle felting is an art form that varies with what you are creating, what you want to achieve and how involved you want to be! Like all needlecrafts, it’s relaxing, easy to learn and only gets better with practice!
On the road again!
My workshops usually involve travel. My most recent was teaching participants how to ecoprint on leather and paper and creating leather journals from our efforts :-). My car was packed and it looked like I was moving! Air travel was impractical and the drive meant I could stop over with neglected relatives enroute.
But there’s a good reason people go to Florida during the winter 🙂 I’m back now from a 2 week jaunt down there (and Georgia) and I made time to actually turn it into a working vacation! Anyone who is a self employed artist knows how hard that can be!
I have taught workshops for a long time. You can’t be a painting artist and not share tips and techniques with big and small workshops.
So when the opportunity came from my friend, Suzanne Connors, to teach my ecoprinting techniques on leather and watercolor paper at her Aya Fiber Studio in Stuart, FL, I said “sure!” I chose leather and paper because once the techniques were mastered, my students would have the skills to create beautiful art journals for friends or for sale.
Not all workshops have such exotic locations! In this case, Florida’s weather was a far cry from what was happening in NC.
The 4 day workshop kept us busy! My students learned about the leathers that worked best for my technique, the papers that worked, leather tools, end products and created some amazing journals.
Not all workshops end with finished products. But I felt it was important that they have finished pieces to refer to when back home in their own work spaces.
Additional techniques added a WOW factor to the leather and everyone had gorgeous results!
Workshops do not have to be held in inspiring places. I’ve been in dusty expo buildings, recreation halls and similar places. My North Carolina studios are in the country and I share them with my artist hubby, Stephen Filarsky. It offers a different ambience-just as inspiring-but in a totally different environment in the country!
Below is a busy workshop I held in an Expo building in Michigan. My participants were just as enthusiastic!
Below is the art studio transformed into a workshop space for my participants (we also hold painting workshops in here of course)
April and May are the time the heirloom “rescued roses” bloom at our location!
A few alpacas provide not only fiber but entertainment for little ones who often mistake them for camels lol!
As long as people wish to learn new skills and techniques and involve themselves in the beauty of art, there will always be classes and workshops :-). Embracing the unknown in the arts broadens the mind and fills that creative space in your soul that just waits for some kind of inspiration!
And as a bonus to my teaching trip to FL we took a sunset cruise recommended by the studio. I missed the manatee that swam up to the studio docks but not on the hour long cruise! I had never seen one before!
So I am off to unload my car, (which looks like I moved half of my studio!) but adding
a parting image of what is called “The Golden Hour” on the water. We were able to enjoy it from the quiet puttering of the electric boat (and also why we could silently come close to the manatees)
Until next time!-Theresa
So this should have gone out in Nov….and it did in my newsletter but not on my blog! SO here it is (after my Christmas one lol!) But Enjoy
Hi fellow artists!
So finally, Fall in the US has stopped procrastinating and has arrived! And for those of us who ecoprint or use leaves in our art, there is that slight panic that the leaves we took for granted for months will now disappear. Or will they?
My botanical printing goes back a ways and over the years I have tried all kinds of techniques to gather and store leaves. Quite frankly I look for the least labor intensive methods that make it easy for me to pull out leaves in January.
So let’s start with the basics-gathering your leaves. No need to make this a production! If you’re not on your own property you can find leaves anywhere-in piles by the side of the roads, unraked in yards or parks. I have never had anyone tell me NOT to collect leaves in public areas so go for it! Carry a rake, paper and plastic bags. The paper bags sit open easier and you can dump your leaves from there into your plastic bags.
My Honda Fit is a little workhorse and can carry whatever I put it to!
With the hatch up, the back of my Honda holds bags of leaves, rakes, snips and assorted objects for carrying and scooping. I keep the tops of the bags open or lightly tied.
In municipal areas, the leaves are yours for the taking. I often hit areas where my “magic trees” are on a Sunday when businesses are closed.
But perhaps the best part about collecting leaves is this-back roads! Unless you have experienced the fun and excitement of discovering new plants, winding roads and abandoned farms, you can’t imagine how well that interacts on a fall day! Sunny skies, chill in the air and Nature calling to you! It helps to take photos along the way-and one main reason other than recording a grand adventure, is the remember where you were when you collected certain leaves. Ones that prove to be amazing printers are ones you will want to find year after year.
It was on such an abandoned road recent;y that we stopped at several abandoned house-to collect and to take photos of the past. Forgotten stone walls with sumac beginning to enclose them.
This abandoned homestead below bears further exploration as has an old mill-somewhere back in the woods.
But down out long winding dirt road we saw what we thought was a fox or cat dart across the road and disappear into the woods.
I stopped the car and peered into the woods and realized it was a beagle. As I got out and approached her with dog biscuits in hand, her tail wagged furiously while she crouched behind bushes and peed submissively. I picked her up and that was that. Back roads-dirt or paved- are good places for people to dump their animals and this thin little thing was just a puppy-maybe 5 months old judging from a few puppy teeth left.
My husband and I are cut out of the same piece of cloth so we just put the little girl in the car and continued with our journey!
Now really! Could you have left that little face behind? Someone did. So relax, we took the puppy my husband named Tuppence to the vet that same Sunday pm, had her vaccinated, micro-chipped (we searched for a chip first), and introduced her to the other 3 dogs. Yes, she is settling in nicely!
So back to the leaves…..let’s say you have collected bushels. After all, you don’t want to be left leafless right? 🙂 Now what. Where and how to store? Take a look at a few solutions I have tried!
2 old screen doors are a good solution depending on how many you have-the advantage is that they dry flat, air circulates on both sides and the screens prevent the leaves from blowing away! But I had way too many leaves for this to work long! Also this was not very portable. If it rained you had to start over.
So here I tried screens from the thrift store. Easier to move but still I would need too many screens.
So here I got clever and made my own baskets-I could hang them in the barn or under a shed and they would air dry. Well they did but the lightweight leaves began to compact all on their own (they did not seem that heavy!) and the bottom ones might as well have been onion skins! Now you have to understand that I use a LOT of leaves. I do not have the time nor the space to systematically stack leaves encased in newspaper on coordinated and marked shelving units!-that all sounds good and looks so nice in posted photos but the reality is very different. 🙂
So my solution now for the last few years? Yep-keep them in their bags! I sit them on the ground under a shed and leave the tops open. I stack maples in one area, oak in another, etc and some are mixed anyway!
In the end-do things YOUR way. Your prints will turn out whether you toss them into bags or iron and press each one into a book!
And I’ll end this narrative with a parting image of Tuppence, the abandoned puppy. She looks like she is settling in nicely doesn’t she? No telling what you’ll find on those back roads!
How deep do the roots go into the personal Psyche of those people captivated by “Ecoprinting?” What nourishes their interest and fascination? On what level do they embrace it?
There is nothing quite like Nature’s artistry in her plant Kingdom. Our own personal journey in Nature determines how deeply our roots are connected to our appreciation of such beauty. There are so many ways to embrace this love of Nature.
Who has not enjoyed spectacular scenic views while driving camping or hiking? Part of what motivates the artist in me are views that take in the distance.
The play of light and shadow on acres of sunflowers captivated me off a dirt road in Virginia.
Gardens and vistas, both cultivated and wild have been celebrated and admired by people from all walks of life. Artists, poets, writers, outdoor enthusiasts and musicians have taken inspiration from Nature.
With cultivated gardens, I think initially for many it is the colors that capture their attention. And colors aren’t limited to planted gardens! I know in my long hikes through forests, it’s the wildflowers -some bright and showy and some very tiny peeking up in early spring walks.
For some it may be the significance of a particular plant discovery. My sister’s annual joy when discovering the purple crocuses pushing their way through the snow is one such vivid memory for me. Even for those of us embracing the winters in upstate New York, crocuses signaled that Spring was truly coming!
And with that knowledge came the certainty that soon it would be time to tap the sugar maple trees , carrying the frozen cans into the house for my mother to add to the sugaring pot on the stove before we caught the school bus.
In Ecoprinting, I have found delight in imprinting not just plant designs, but memories. The results are tactile, visually beautiful and a delight! Not all maple trees are the same. The ones of my childhood are not as common in the North Carolina Piedmont area. Even the ones on my own mini farm are not what I look for in my art. But I have located a few special sugar maples that take me back to my roots. And I delight in what they share with me!
In an en earlier blog I wrote about roses….and shared images of abandoned homesteads, heirloom roses and the resulting beautiful images from fallen rose leaves. More memories captured through the art of ecoprinting. But perhaps this final image says it best! And if you want to connect in my NEW Facebook group “Personal Journeys in Ecoprinting” where you can share your inspiration, happy thoughts and positive energy, join us! https://www.facebook.com/groups/532432183800670
I found that at shows, people are fascinated by my ecoprinting. The infinite number of leaf prints, especially sharp, crisp ones, is the first area of fascination. The second is realizing that Mother Nature can actually release such beautiful colors onto silk. For many, it is the knowledge that the entire process is a sustainable and renewable art form. But universally, it is the image of collecting leaves on a beautiful day, scattering them onto silk and, in the end, creating a beautiful, unique surprise from Nature that has the most appeal!
So It did not take long for people to start asking if I would hold workshops in ecoprinting. I condensed my process down to a one day workshop that has made it easy for participants to leave with beautiful scarves created with their own hands!
What I love about the Ecoprint workshops is that Everyone is Equal in experience, creativity and artistic ability! With painting workshops, even for beginners, there is always that subtle competitiveness and insecurity. You can hear it in the conversations “Oh, I’m not really an artist,” or “Is this good?” or “I won’t trace, that’s cheating,” and the list goes on. In Ecoprinting, the participants all learn to initially work the same way with the same methods, but in the end, it is Mother Nature who holds the reins!
I’m including some images from a few recent workshops. I am fortunate in that my mini-farm contains all the plant material we need, right outside the doors of the 2 art studios! Although I work at my
smaller silk studio, and often outside on the deck, it is the larger “Painting” studio where I hold the Ecoprint workshops. I can fit up to 6 (my max number of students) comfortably with my spread out techniques and best of all, we are out of any wind….you can imagine the frustration of laying plants onto a silk scarf on a windy day :-).
All my workshops run from 10:00 am to 3:00 pm. There is plenty of time to relax after the bundled silk is in the pots. This is when we all eat our bagged lunches, tour the silk studio, engage with the ponies, chickens and assorted livestock on the mini-farm. On a gorgeous day, we sit under the trees and simply soak in the atmosphere while the silk processes in the steamers.
There is no doubt that the most exciting time is when we open the bundles of silk and see the results!
As you browse, you’ll see the faces say it best! Enjoy the closeups. Visit my workshop page to see what dates are available and contact me with any questions!
Until next time!-Theresa
Truly-there is nothing like the look and feel of silk! Soft and luxurious or earthy and light, nothing compares to this all natural, sustainable fabric against the skin.
And nothing speaks to the soul as eloquently as wearing Mother Nature’s colors imprinted naturally onto silk fabrics. For me, wearing creations that come from Nature and to experience both the natural colors the leaves give up during my process or the results of natural dye additions is the journey I enjoy most!
Let the look of my handcrafted garments tell their own story!