It’s always fun to find yourself in an International magazine! And especially so when that magazine is the up and coming “Green” magazine, “No Serial Number” an “an eclectic lifestyle magazine about Eco-conscious and Heritage Craft, Design and Fashion.” The purpose of the publication aligns itself beautifully with my ecoprinted collections and it is a joy to see this publication embrace all that is sustainable, renewable and beautiful!
So what about my article? Well, I had the best time writing it and pulling together my images. 6 whole pages! But for a sneak preview you can see a bit of it here!
Botanical or ecoprinting appeals to the simpler side of people-the surround sound of being in the woods, gathering plant matter and watching it come to as an art form is my passion. But many collectors simply enjoy the finished pieces. Whether for home or office, there is something peaceful and beautiful in knowing the ecoprinted art has given us a lasting piece of Nature’s designs and colors!
It was my pleasure to have “No Serial Number” echo my thoughts and feelings by publishing my work and photos!
Who is not entranced by the mystical world of faeries? Whether your first introduction was Tinkerbell or you’re intrigued with the myriad of myths, legends and sightings of such fleeting “little people”, it is a fun world to enter!
Faeries ( or Fairies)were a favorite theme of my twin sister. As children, we imagined them in the ancient maples that populated our farm in upstate New York. We would take what figurines we had and play among the stone walls and foundations of the huge barns. We invented names, places, personalities, and made “faerie houses” from all manner of rocks and twigs.
So I have enjoyed re-inventing our world of not just faeries but the birds that also populated our country playground. Chickadees, sparrows, finches and tiny house wrens all flocked to our suet feeders in the winter when the snows made life challenging for all!
My eco printed silk seemed to call to me to peek closer into the world of nature. As a painter, it was just an additional step to begin creating my hand painted designs among the imprinted silk. The challenge was to keep a soft hand to the silk and yet have control over the silk dyes-not always an easy thing to do! So laying out my plant matter to create designs with open spaces for my birds and faeries, I began to paint. And I am still creating versions of them both. The possibilities are endless. Yes I could simply paint an entire Faerie world on a single canvas, populated with tiny birds, magical creatures and such. But the challenges of working with silk intrigued me. My hand painted figures dance with the movement of the silk-something that cannot be achieved on canvas.
The birds continue to flock to my feeders even in the more temperate climate of North Carolina. And while I paint and design, I see tiny faeries everywhere-dancing on the dust motes, peeking out from behind the roses leaves and perhaps playing tricks on the free range chickens. Join me in this magical world of no worries, playful fun and enjoy the art!
Faeries and their little bird friend on Cotton dipped in indigo!
Winter 2016 finally decided that January 2017 was a great time to begin, so for a week the weather forecasters gave dire predictions of a “southern” nor’easter. Sort of tantamount to a snow apocalypse. But the actuality was a lot of sleet and about 5-6″ of snow on our little mini-farm. However, the bitter cold for a North Carolina day (high of 22) changes things a bit and keeps everyone home and pretty much off the frozen roads!
This snowed in period has turned out to be a good time to give my thrift store find some TLC. I only invested $45.00 in this vintage White series 77 sewing machine. And frankly, it seemed like a bargain for the machine with all its attachments, instruction booklet and its all original beautiful cabinet! On a Facebook group, Eco-Dyeing Creating Learning that I am an administrator to, a member, Rudolph Ramseyer shared his research into vintage finds and noted that “An interesting bit of information is that White owned their own forests and sawmills, which supplied timber to their cabinetmaking workshops.”
It took 2 men to get this into the back of my little Honda Fit at the Thrift store. The back seats of the Fit fold back and up allowing room for upright items that normally could not go into a compact vehicle. Of course at home, it was my husband and I who unloaded it to my office/sewing room. That weight factor alone tells you a bit about the history of sewing machines in general as none were designed to be portable. My current Brother CSi6000 probably weighs…2 pounds? And in spite of all the fancy stitches built into the plastic Chinese made machine (most of which I do not use), it is sobering to realize that a machine that could go both forward and then, with the flick of a lever, go backwards without missing a stitch, was a huge deal 60 years ago!
The box of attachments is priceless in that they are all there. An immense buttonholer must have been a godsend. And there are attachments (some I have no clue about) and instructions for hemming, stitching lace, a combination tucker, edgestitcher and top braider, embroidery, quilting, a 5 stitch ruffler, one for gathering, one for single stitch pleating, shirring, piping and a host of other techniques, some of which I have never used!
The sewing thread sits on the middle spool holder. The one towards the wheel is for use with the automatic bobbin winder. Stitch length adjustments on the right and tension adjustments on the left. It is a pulley system, not a belt system and, of fascination to me, run with a knee operated lever (seen lower right top photo). It is also interesting that these were called “rotary electric sewing machines” and were driven by the rubber wheel contacting the motor directly in back.
So now cleaned and oiled, I have played with sewing on it. There is something oddly comforting in sitting down to a machine that was once the pride and joy
of a household. Was it a gift from a caring husband ? Or purchased on a new “lay-a-way” plan? Did the woman marvel at the amazing things she could now do? Was she able to add buttonholes or create beautiful ruffles she had never before been successful at sewing?
Sometimes it is the little things we take for granted that can give the most enjoyment. This frigid, snowy day for instance, makes me grateful for simple pleasures: indoor heating, hot coffee, power still on, outside animals fed and comfy and, quite frankly, the Internet. I feel no guilt today indulging my inquisitive passion of researching little things such as a vintage sewing machine. And today, it’s a good place to be 🙂
Truly-there is nothing like the look and feel of silk! Soft and luxurious or earthy and light, nothing compares to this all natural, sustainable fabric against the skin.
And nothing speaks to the soul as eloquently as wearing Mother Nature’s colors imprinted naturally onto silk fabrics. For me, wearing creations that come from Nature and to experience both the natural colors the leaves give up during my process or the results of natural dye additions is the journey I enjoy most!
Let the look of my handcrafted garments tell their own story!
Somewhere back in Time, our ancestors figured out a number of amazing things. In the course of survival, it is understandable that clothes needed to be made and the progression from animal skins to fibers is a fascinating history. But then, someone decided that colors would enhance the fibers and a whole new journey began 🙂
I don’t think most people even think about color except when looking at clothing on racks in a store. But recently I not only experimented myself but watched a friend Dede Styles, reach back into her Appalachian roots and demonstrate at the NC Mountain State Fair.
She used both iron and brass pots heated with the convenient propane heater. On one day she could not attend, a young couple took over with butternuts.
Her results were stunning reminders that all that is new is old 🙂 This is especially true when today’s thinking is “go natural” and words like “sustainable, renewable and recyclable” are bandied about as though it was a new concept.
My own efforts are similar yet different. I am all about dyeing silk rather than wool. A huge part of the enjoyment is collecting the plant matter to use in a dye pot. My husband happily joins me in this search. Who doesn’t want to wander down back roads and through one’s own pastures? I used my 1940’s porcelain/enamel pot on a hot plate since an iron pot is not yet in my studio!
The results are beautiful and indeed, sustainable, renewable and totally organic. And honestly, our ancestors had a good thing going, I think 🙂
The months of April and May have been been “art show” months with several shows each month …..a great way to showcase my work in person! I was hardly able to unload the vehicle in between shows 🙂 But any way you look at it, if you go to shows you need a place to unload and a place to work! Check out the Silk Art Studio images below 🙂
So what does the studio look in May? Notice the awesome clothesline?
I love this time of year. The trees and pastures are coming alive again as the nights have warmed. And with that new growth come the many shades of green seen only for a short period before settling into their summer look. They were preceded by that southern staple, the dogwood tree, which grows wild, looking like popcorn in the foliage free woods. Red buds, weigelia, confederate jasmine ….all follow, coloring the landscape and promising an end to winter!
Our mini farm is home to an assortment of roses. Not the landscape teas of the cultivated garden, but the hardy farmhouse roses, the heirlooms, that we have rescued from abandoned homesteads in our region. Soon, usually around Mother’s Day, they will virtually all erupt into one spectacular, aromatic display before their blooms fade by the end of May. Until then, they are supplying me with an abundance of rose leaves in every size and shape!
A few unexpected freezes had us out in frigid weather collecting the tiny oaks leaves and catkins blown down by a freak storm (Nature is known for surprises) My artist hubby, Stephen Filarsky has gotten into the whole “eco-thing” as he calls it. We have always hiked and traveled the back roads with cameras and sketchbooks. We know every abandoned house within 100 miles of here. So it is meaningful to return and collect leaves from long forgotten flowers and shrubs and bring them back to life in a new and beautiful way!
My studio deck overlooks my small pasture and for another week or so, it is awash with yellow wildflowers. The deck is where I do most of my laying out of the plants, bundling, and where my steam pot sits. I only move inside when it is too cold or too windy (a real challenge!) to work outside. I also use my bargain picnic table if I need even more room!
The last few times I have spent in ecodyeing, I have also pulled out some watercolor paper-we have SO much paper in our other art studio-and added a bundle to the dye pot.
Nothing elaborate but oh my, what amazing, and different results! So before I head outside to feed animals and then to the studio to photograph yesterday’s results, I’ll share one result of using the same japanese maple leaves on both silk and watercolor paper, and another of just the watercolor paper. The surprises are what makes this an invigorating art form!
March and there is SO much going on. Many art shows and horse shows coming up this spring. We love to show and tell so scattered throughout this newsletter are some of the many art pieces we created for our collectors.
Also meet our newest family member, Bella, our baby alpaca. Theresa is already deciding what to do with all of her fleece when she is sheared the end of March.
What’s Happening: Shows where you can find us, as vendors or on the grounds with our easels (Remember to check back with us on our calendar as sometimes this changes)
March 12 Triangle Farms C horse show, Hunt Horse Complex, Raleigh, NC ! Look for us on just Saturday, March 12 at the show! At the Hunt Horse Complex. We’ll be there with portraits and silkwork (oh the horses!) http://www.trianglefarms.com/
March 17-20 Triangle Farms A horse show, Raleigh NC Steve will be at this show part of the time with his paintings. Check with us for the dates! http://www.trianglefarms.com/
March 23-26 You will find us at the Spring Premier Horse Show at the Hunt Horse Complex in Raleigh, NC. Portraits, paintings and silk art in our indoor booth! http://www.raleighspringpremier.com/
April 23 Bynum Bridgefest! A one day art and craft event (on the Bynum Bridge) between Chapel Hill and Pittsboro, NC that meshes with Earth Day. Come see Theresa with her fiber and silk art! http://www.bephilarthropy.com/
May 6-7: The Handmade Market We’re still waiting to hear back on this art and craft event but if it’s a go, Theresa will be there with her silk and fiber art! http://www.thehandmademarket.com/site/
May 21 & 22 Keswick Horse Show: Like last year, Steve will make his annual jaunt to the Keswick Hunt Club (in Virginia) and can be found around the grounds with his easel painting the scenes at the show!
May 20-22 Artsplosure A very busy, super fun art and craft show in downtown Raleigh, NC. Theresa will be there with all of her fiber and silk art! http://artsplosure.org/
Well that’s probably enough to keep all of us busy! There will be our long time horse shows in June, July and August including the 2 weeks at Blowing Rock, NC and possibly some Virginia shows. YOU can easily keep track of where we will be through our Facebook pages!
ART classes and workshops (March-August)
These are classes held at our studio location and others. If you would like us to set up a workshop with your art group, just drop us a note. Sign up for our separate art student academy newsletters that are just for our painting students!
Theresa is teaching some new classes with the Vance Granville Community College (http://www.vgcc.edu/coned/personal-interest) in the Personal Enrichment program, including some Heritage Programs coming up. Make sure you are signed up for our Art Student Academy newsletters to stay on top of all art classes! http://artstudentacademy.com/
Late winter and I’m ready for spring. Leaves on the trees, flowers…that kind of spring! Some of my silk art I can create inside, in the warmth of my small studio (my cabin) But others I have to create outside. 30 degrees is cold when your hands are submerged in water and winter gloves are not an option.
But March art shows are coming and today I’m moving my work space out to the tables on the deck as the temperatures should finally be kind :-). I alternate between my hand painted silk and my eco-printed silk. A recent trip to gather freshwater driftwood from a lake shore inspired me to create a few wall hangings.
And you have to love the random patterns of eco-prints from Mother Nature. Raw silk, gathered leaves and gathered driftwood-all re-purposed into new, beautiful artwork.
These two images are shown hanging on my tobacco stick fence in front of my large art studio. This studio is kept separate from the silk as it is where my artist hubby, Stephen Filarsky and I paint in oils, pastels and acrylics.
Paint and silk do not work well within the same space 🙂
My driftwood is also being re-purposed for additional use in my silk work. Images coming soon.
These wall hangings and my newest painted silk creations can be seen in two shows this month:
The Spring Carousel Gift Market in Raleigh, NC March 18-20. The following weekend is the Spring Premier Gaited horse show in the same general location-the Hunt Horse Complex March 23-26. Good place for my horse scarves 🙂
My last “batch” before leaving for a trip to Oregon earlier this month. Grinding, then boiling cochineal bugs and laying out plants on silk….all part of the long process!
And the results? Oh my, what fun! 🙂
Almost 3 weeks in the Pacific northwest and I could not leave without expanding my collection of leaf matter. Check out the monster Big Leaf maple. The weather promises to break, the snow is melting and the sun will make it possible for me to create more of Mother Nature’s Art 🙂