It’s always fun to find yourself in an International magazine! And especially so when that magazine is the up and coming “Green” magazine, “No Serial Number” an “an eclectic lifestyle magazine about Eco-conscious and Heritage Craft, Design and Fashion.” The purpose of the publication aligns itself beautifully with my ecoprinted collections and it is a joy to see this publication embrace all that is sustainable, renewable and beautiful!
So what about my article? Well, I had the best time writing it and pulling together my images. 6 whole pages! But for a sneak preview you can see a bit of it here!
Botanical or ecoprinting appeals to the simpler side of people-the surround sound of being in the woods, gathering plant matter and watching it come to as an art form is my passion. But many collectors simply enjoy the finished pieces. Whether for home or office, there is something peaceful and beautiful in knowing the ecoprinted art has given us a lasting piece of Nature’s designs and colors!
It was my pleasure to have “No Serial Number” echo my thoughts and feelings by publishing my work and photos!
Roses in history, in quotes, in art and poetry. Perhaps no other flower has been written, photographed, cultured and painted in all of history.
“What a lovely thing a rose is!” -Arthur Conan Doyle (The Naval Treaty)
“I feel as if I had opened a book and found roses of yesterday sweet and fragrant, between its leaves.” -L.M. Montgomery (Anne of the Island)
“What’s in a name? That which we call a rose by any other name would smell as sweet.” William Shakespeare
As artists, my husband and I regroup by exploring back roads, both paved and unpaved. In our many travels we began to bring not just camera and sketchpads, but shovels, buckets, water and pruning shears. And we began rescuing flowers and taking cuttings from abandoned homesteads.
Sometimes we only discovered totally overgrown homes hidden off dirt roads by noticing a burst of pink, red or white flowers through the growth. On closer inspection we would discover huge rose bushes, or old varieties of Sweet William or daffodils, continuing to grow and bloom with happy abandon, unaware that no one was on the crumbling front porches enjoying their beauty and fragrance any longer. So we began to take cuttings, dig a few bulbs or flowers in hopes of transplanting them to our mini-farm for them to be seen and enjoyed.
Before long we had our own bushes of Seven Sisters, Old Dawn (climbing) Red Blaze, wild white roses, Lady Banks, Old Glory, tiny leaved Scottish Roses…..and some nameless ones. My heirloom rose garden includes a red variety of Seven Sisters that my mother collected from her old family homestead (long abandoned) in Mississippi while researching her roots.
As a painting artist, I have painted and photographed my share of beautiful roses over the years. But no art form has excited my creativity as much as collecting and imprinting designs and colors from those roses I have rescued!
In the world of Eco or Botanical printing on fiber, more often than not it is the leaves that leave the best impression, not the actual rose. And it seems fitting as no one immortalizes the rose leaf in poetry and quotes. Even the thorn has numerous symbolic mentions…but the leaves? Yet without the leaves there would be no rose! I don’t think botanists will ever cultivate a bronze, green or copper colored rose. But in my work with the rose leaves on Silk, I regularly re-create these colors!
So much, I have learned, depends on what day, what month and what rose leaves I use…from the tiniest to the largest. The colors vary, the shapes vary…but the sentiment stays the same for the leaves as it does the beautiful petals. A wondrous surprise every time I work with my rose leaves and silk.
I like to think that the women or men who once planted and loved these roses, would be pleased to see their simple pleasures re-created as beautiful imprints on silk. And that someone cared enough to stop by their once active homes, lost to time and encroaching developments and rescued their roses and flowers to treasure as much as they once did.
When I am looking for inspiration, my artist hubby Stephen Filarsky and I travel north from our place to the John Kerr Lake dam. No matter the weather or time, it is a place to renew my creative energies. It’s easy to feel as though you are absorbing that tranquility!
And along with that easy feeling that comes with a lazy summer day, comes the realization that summer brings summer rains and occasionally a storm.
Nothing is quite as exhilarating as a powerful summer storm when viewed from a safe place :-).
Often I collect tree leaves from these drives and flatten them in a sketch pad. These areas produce sumac, red bud and a variety of abundant good printing leaves that I take back to the studio and save.
Black eye Susan plants are everywhere and a childhood favorite of mine.
So what do I do with this all this natural inspiration and plant material? Two of my many recent inspirations: Silk wraps, ecoprinted with one dipped in an indigo vat. Both 36″ x 84″.
The blue one has sold but to see more of what a summer drive in the country inspires, be sure and visit my Amazon shop!
I love this time of year. The trees and pastures are coming alive again as the nights have warmed. And with that new growth come the many shades of green seen only for a short period before settling into their summer look. They were preceded by that southern staple, the dogwood tree, which grows wild, looking like popcorn in the foliage free woods. Red buds, weigelia, confederate jasmine ….all follow, coloring the landscape and promising an end to winter!
Our mini farm is home to an assortment of roses. Not the landscape teas of the cultivated garden, but the hardy farmhouse roses, the heirlooms, that we have rescued from abandoned homesteads in our region. Soon, usually around Mother’s Day, they will virtually all erupt into one spectacular, aromatic display before their blooms fade by the end of May. Until then, they are supplying me with an abundance of rose leaves in every size and shape!
A few unexpected freezes had us out in frigid weather collecting the tiny oaks leaves and catkins blown down by a freak storm (Nature is known for surprises) My artist hubby, Stephen Filarsky has gotten into the whole “eco-thing” as he calls it. We have always hiked and traveled the back roads with cameras and sketchbooks. We know every abandoned house within 100 miles of here. So it is meaningful to return and collect leaves from long forgotten flowers and shrubs and bring them back to life in a new and beautiful way!
My studio deck overlooks my small pasture and for another week or so, it is awash with yellow wildflowers. The deck is where I do most of my laying out of the plants, bundling, and where my steam pot sits. I only move inside when it is too cold or too windy (a real challenge!) to work outside. I also use my bargain picnic table if I need even more room!
The last few times I have spent in ecodyeing, I have also pulled out some watercolor paper-we have SO much paper in our other art studio-and added a bundle to the dye pot.
Nothing elaborate but oh my, what amazing, and different results! So before I head outside to feed animals and then to the studio to photograph yesterday’s results, I’ll share one result of using the same japanese maple leaves on both silk and watercolor paper, and another of just the watercolor paper. The surprises are what makes this an invigorating art form!